Monday, October 20, 2008

Wrap your head with this material....


Anyone who knew me a couple of years ago, or even a year and a half ago, knew that I was good for ‘rocking’ a head wrap. I mean the ones that shot straight up [think of E. Badu’s “on and on”] and pointed to Allah, saying “yes, I am a refined Queen”. But I transitioned out of head wraps over the last couple of years because I started to feel confined to a piece of cloth.

I started with the art of head wrapping when I became a citizen of the Nation of Gods and Earth [Five Percenters] at seventeen—dutifully wearing my 3/4ths (rockin three-fourths of cloth never showin' your stuff off, boo—Method Man) of clothing and keeping myself refined and fly. Moving from occasionally wrapping my hair to rocking 3/4ths and sporting head wraps as an everyday part of my clothing was something that transpired during my sophomoric and junior years of college.

An African Woman from Ghana first showed me how to master the wrapping of my head, but it was an elder in the Nation of Gods and Earths that help me put meaning to what I was doing. Black Women she told me, who were Earths” in the Nation of Gods and Earth were to cover every "curve on their bodies" including your hair, so your body could not be seen. So for most of us, if any part of the body was exposed---you wrapped your hair. If legs were exposed---wrapped, if your arms and/or legs were exposed--wrapped, if skirts were floor length and arms not exposed, you could wear your hair out. It was the “Queenly” thing to do…. because dressed in 3/4ths signified the beauty of an Black woman valuing herself and setting herself an apart from other Black Women by being an illustration of a Queen, an Earth.

In my senior year of college, I stopped building with the Nation of Gods and Earths, but kept the head wraps…also around that time, I picked up a Black feminist agenda and became a Women Studies major in college. But my head wraps started to become something very fetish-like to the White girls in my class, as one White girl said to me one day “I wait everyday to see what color head wrap you have on your head”. I eventually stopped wearing my head wraps and just let my naps be exposed to the world.

A couple of days ago, I found a bag at the bottom of my closet, with my colorful head wraps and I started to question why I had even stopped wearing them in the first place. Had I transitioned from Queen Mother Earth in undergrad to Black feminist academic Sistah in graduate school, where I NEED to actually show my naps on my head, because I was now in a place where acculturation looked good to even the most confident person? *maybe* Or, was I tired of the stigma attached to them (external representation of Afrocentricity—which I do not ascribe to)? *shrugs* Or, was it because of the rampant Kemars and Muslim Women in Philly that I wanted to distance myself from? *Nodding*

Although those questions may have had some bearing on my decision, I think the real reason I stopped wearing head wraps, was due to way that I got caught up with attaching “Queen” to a piece of cloth…it became gimmicky. Between the ages of 17 and 22, I kept hearing that real Queens never exposed themselves….real Queens wore their hair covered for their righteous Black man, (even though he never had a dress code)….real Queens never let their bodies be exposed to the White man’s eye…blah, blah, blah….it was like my crown or something…my cape… and if I didn’t have it on, my super Black Woman powers were juiced out….so the head wraps had to go, because if my self-worth was tied to a head wrap, then I was in big trouble.

But I say to the Sistahs that rock head wraps, keep rocking on (I may rock one tomorrow), but know that ¾ths nor a head wrap starts with a mental elucidation, nor does a mental understanding starts and then a head wrap follows…with or without the head wrap, we still can shine as beautiful Black women.

Peace!

--Iresha

Monday, October 13, 2008

What the Hell is a Radical Woman of Color?

What the Hell is a Radical Woman of Color?
Real stories by Radical Women of Color and Allies
An Anthology

Key points to consider:

• What does being a Radical Women of Color mean to you? (i.e. community, race, gender, motherhood, activism, silencing, diversity/intersectionality, movement building, etc.)

• What does it mean to be an ally?

• How would you devise new strategies for cross-cultural dialogue, theorizing, and alliance-building?

• Global perspectives are welcome

• Topic suggestions are welcome


Deadline: Sunday, November 9, 2008

Format: There is no format; the piece can be in the form of a short story, a personal experience, an essay, a poem, a collection of thoughts, photography, art, or a collaborative work. 4000 words maximum.


PAYMENT/PROJECT AGREEMENT

Since we are now in the process looking for a publisher, we still don't have an exact rate of payment for contributors. Although, we will be negotiating a payment of $25-$125 per piece.

A handwritten hard copy of the project agreement must be mailed before submission of final work (email address below to be sent project agreement). Once we make our final decisions, we will fill in our portion of the project agreement and send them back to contributors for their records. Contributors will be contacted with complete details once the publishing agreement is reached.

Please feel free to e-mail us with further questions or need for clarification. We look forward to hearing from you.


Email: info@adelenieves.com

QBG 'Zine!

What it do good people of QBG'dom?!

The 'zine is finally here! Thanks to all who submitted!

Do to technical difficulties, we weren't able to work the picture submissions this issue so everyone who submitted pictures, we got you next issue.

http://www.crawldog.com/qbgmagcom/


So enjoy all and spread the quirky!

Quirky Black Girl

Thursday, October 9, 2008

i scream. you scream.

(i don't know why, but moya axed me to post there here. i was a lemming in my former life.)

(from 18. september. 2008)

Hi Gayle,

Apparently, yesterday was dagger night out in downtown Oak Park, IL, a wonderful western suburb of Chicago, known as Ernest Hemingway’s hometown and for its Frank Lloyd Wright homes. I wasn’t there, however, to trace literary ancestors or look at architecture; I was there for ice cream. And nothing screams suburban more than a nice little overpriced ice cream chain. Yes, Coldstone Creamery.

I’ll admit, I’m a Dairy Queen kind of girl. Nothing assuages my ice cream jones better than some soft serv from the 'Q. My order of a chocolate chip cookie dough blizzard sans chocolate syrup hasn’t changed in years. Since there was no Dairy Queen within decent driving distance, I had to settle. Besides, the company I keep doesn’t share the same enthusiasm I have for DQ. Plus, since I can be sort of demanding when it comes to my palate’s desires, I decided to employ a rule or two I learned back in kindergarten and let someone else choose.

Technically, this was my third time to Coldstone Creamery, but my first time actually attempting to figure out what all the fuss was about. On my prior two visits, I’d settled for the most basic milkshake on the menu. This time, I chose a flavor and a topping.

First, like a fellow yelper I read the other day, I resent when places compel you to order in sizes other than small, medium, and large. I don’t think it’s cute; I find it obnoxious and stupid. Further, I don’t appreciate it when employees attempt to “correct” me. (“Listen, asshole, I know what the board says. I can read. I want a SMALL iced chai. And for the record, calling something a ‘chai tea’ is redundant. Now shut that ‘tall’ shit down and give me my over-priced beverage.”) I will confess that upon sampling the cake batter flavor, I agreed that CC had in fact found a way to replicate cake batter taste in ice cream form. Despite being impressed, I just settled for a SMALL sweet cream with oreos.

Second, I am skeptical about the consistency of the product here. Frankly, I don’t appreciate folk I don’t know—official-uniform or no—fondling my ice cream. I don’t care if one can logically explain how the employees can perform this feat without turning helado into a milky, dairy mess. I do not like it one bit. Just plop my scoop on a cone and keep it moving.

Third, I can’t believe I paid this much for what I just witnessed. Given the way the thing tasted, surely the extra coinage was merely for the show. Four dollars to watch someone scoop ice cream onto a counter and beat an Oreo into submission? I stood there, arms crossed, unimpressed and could only think of random Barack Obama and integration jokes suitable—but having different meanings, mind you—for Value Voters and cynical, satirical Negroes such as myself. Satire in the wrong hands isn't satire. But I digress.

I am not a fan of Coldstone Creamery. As far as ice cream goes, I suppose a lil DQ soft serv will suffice for an Indiana black girl like me. Now that little spot in the Paris Hotel? The ice cream there is worth a plane ticket to Vegas alone. Trust me. I’ve had lots of ice cream. That makes me an expert.

Sunday, October 5, 2008

Combahee Survival: Black Feminism Lives!!!!

Check out the new Combahee Survival Project from BrokenBeautiful Press!


We were never meant to survive. None of us. We were never meant to find each other, love each other, remember the warriors that came before. We were never meant to know these histories. We were never meant to turn our trauma into a map for transformation. We were never meant to survive. But we do it anyway.

Break it down. Sur viv al. Life underneath waiting to embrace all of us. Survival is a poem written in a corner, found waiting in a basement, forgotten. Survival is when the timeliness of your word is more important than the longevity of one body. Survival is spirit connected through and past physical containers. Survival is running for your life and then running for Albany city council without consenting to the State. Survival is shaping change while change shapes you. Survival means refusing to believe the obvious. Survival means remembering the illegal insights censored in the mouths of our mothers. Survival is quilt patterns, garden beds. Survival means growing, learning, working it out. Survival is a formerly enslaved black woman planning and leading a battle that freed 750 slaves from inside an institution called the United States Military. Survival is out black lesbians creating a publishing movement despite an interlocking system of silences. Survival is a group of black women recording their own voices, remembering a river, a battle, a warrior and creating a statement to unlock the world. Survival is like that.

We were never meant to survive. And we can do even more. This booklet moves survival to revival, like grounded growth, where seeds seek sun remembering how the people could fly. We are invoking the Combahee River Collective Statement and asking how it lives in our movement now. And the our and the we are key to this as individual gains mean nothing if others suffer.

We were never meant to survive but we will thrive. We want roundness and wholeness, where everyone eats and has time to be creative has time to just be, What tools does it give that are necessary to our survival? What gaps does it leave us to lean into? Black feminism lives, but the last of the originally organized black feminist organizations in the United States were defunct by 1981.

Here we offer and practice a model of survival that is spiritual and impossible and miraculous and everywhere, sometimes pronounced revival. Like it says on the yellow button that came included in the Kitchen Table Press pamphlet version of The Combahee River Collective Statement in 1986 "Black Feminism LIVES!" And therefore all those who were never meant to survive blaze open into a badass future anyway. Meaning something unpredictable and whole.

We were. Never meant. To Survive. And here we are.

And beyond survival, what of that? In 1977 the Combahee River Collective wrote "As Black women we see Black Feminism as the logical political movement to combat the manifold and simultaneuos oppressions that all women of color face." They also said "The inclusiveness of our politics makes us concerned with any situation that impinges on the lives of women, Third World and working people." And they concluded: "If Black women were free, it would mean that everyone else would have to be free since our freedom would necessitate the destruction of all the systems of oppression."

Today we, a sisterhood of young black feminists, mentored in words and deeds by ancestors, elders, peers and babies, assert that by meditating on the survival and transformation of black feminism we can produce insight, strategy and vision for a holistic movement that includes ALL of us. So while this is a project instigated by self-proclaimed (and reclaimed) black feminists, our intention is that it can be shared and changed by everyone who is interested in freedom.

Tuesday, September 30, 2008

Solidarity Action!

URGENT - TIME SENSITIVE

Dear ally of Kanaka Maoli Scholars Against Desecration:

Thank you for asking us about our open letter against desecration from
September 13, 2008. We have an update and an URGENT ACTION REQUEST.
Kanaka Maoli Scholars Against Desecration ask that you take time to speak
out and send letters to select Hawai`i state representatives by Wednesday,
October 1 at 5pm HST (11am EDT) before the KNIBC meets on Thursday 9am HST
to review the case again, as per Judge Watanabe’s order.

It is CRUCIAL that letters reach these people by the deadline, especially
from allies outside of Hawai`i so that those trying to circumvent their
own state laws know "the whole world is watching."

On September 15th, 5th circuit Judge Watanabe delivered her oral ruling on
the case opining that the Hawai`i State Historic Preservation Division
(SHPD) failed to follow state law after the Kaua`i-Ni`ihau Island Burial
Council (KNIBC) voted in April to preserve the burials in place. Instead,
state archaeologist Nancy MacMahon (Deputy Officer of the SHPD) improperly
approved a Burial Treatment Plan (BTP) for property owned by California
developer Joseph Brescia, without the consultation of the council.
Still, the judge refused to grant a temporary injunction to haul
construction at the site.

Desecration continues at the site today in violation of HI state law.
Nonetheless, the agency must now consult with the KNIBC, any lineal
descendants of the remains, interested Hawaiian organizations, and the
landowner about a revised BTP. The BTP is now in its third version and
was prepared by contract archaeologists on behalf of the developer Joseph
Brescia. We reject the BTP because "Burial treatment" = desecration.
Desecration is desecration, and it’s against the US federal and HI state
laws. See details on the Hawai`i revised statute 711-1107 in original
letter below.

Besides encouraging you to draw from our original letter (included
further) below as you daft one of your own, here are our suggested key
points to assert in your letter (since these items are on the agenda for
Thursday’s Burial Council meeting re: this case):

* Naue is an ancient Hawaiian cemetery (SHPD doesn't even recognize
that it is a cemetery);

* "Preserve in place" means no building on top of the cemetery at Naue;

* Vertical buffers and concrete jackets around each of the seven burials
within the footprint of the planned residence does NOT constitute
"preserve in place" for those burials as well as the entire cemetery; this
is desecration. No house should be built there;

* It is unacceptable to have no access rights delineated in the most
recent proposal since anyone who might be later recognized as a lineal or
cultural descendant would be cut out of the right to conduct their
tradition religious and customary practices at the site.

Please send all letters to:

Nancy McMahon Deputy State Historic Preservation Officer
Nancy.A.McMahon@hawaii.gov

AND BE SURE TO CC: the following: (as well as me at jkauanui@wesleyan.edu):

Laura H. Thielen, Chairperson of Department of Land and Natural Resources
dlnr@hawaii.gov

Pua Aiu, SHPD Administrator
pua.aiu@hawaii.gov

Hawai`i Gov. Linda Lingle
governor.lingle@hawaii.gov

Kaua`i County Council members
cokcouncil@kauai.hawaii.gov

Kaipo Asing, Mayor of Kaua`i
mayor@kauai.gov

Kaua'i & Ni'ihau Office of Hawaiian Affairs
kananik@oha.org

IF YOU WOULD PREFER A BOILER PLATE LETTER YOU CAN SIMPLY SIGN AND SEND
FROM YOUR END, PLEASE LET ME KNOW ASAP. OTHERWISE, JUST CULL FROM THIS
LETTER BELOW AND INCLUDE POINTS FROM ABOVE. PLEASE BE SURE TO INCLUDE ALL
OF YOUR PROFESSIONAL TITLES AND LOCATION.

Mahalo, with thanks, Kehaulani
J. Kehaulani Kauanui
http://jkauanui.faculty.wesleyan.edu/


~~~~
September 13, 2008

Open Letter from Kanaka Maoli Scholars Against Desecration

As Kanaka Maoli professors and scholars we write to publicly condemn the
state-sponsored desecration of a Native Hawaiian burial site at Wainiha,
Kaua`i resulting from the construction of a new home at Naue Point by
California businessman Joseph Brescia. For years Brescia has been trying
to build a home on top of our ancestral graves despite a litany of
environmental, legal and community challenges to his construction. In
2007 Brescia unearthed and then covered over the bones of our ancestors
when he began clearing the area. The illegal and immoral disturbance and
desecration of our ancestors’ remains must stop now.

The Hawai`i revised statute 711-1107 on Desecration specifically states
that no one may commit the offense of desecrating "a place of worship or
burial," and the statute defines "desecrate" as "defacing, damaging,
polluting, or otherwise physically mistreating in a way that the defendant
knows will outrage the sensibilities of persons likely to observe or
discover the defendant's action." In complete contradiction to their own
law, the State Historic Preservation Division of the Department of Land
and Natural Resources approved a "burial treatment plan" for Brescia that
undermines both the very concept of historic preservation and the reason
for the founding of the Hawai`i Burials Council: to protect burials, not
"treat" them. This "burial treatment plan" enabled Brescia to secure
permits to build as long as the graves remain "in place," which in this
case means the burials have been capped with concrete already poured for
the footings of his house.

To date, 5th Circuit Judge Kathleen Watanabe has denied requests for a
temporary restraining order and has even refused to grant a temporary
injunction to stop further construction until the full civil suit is
adjudicated by the state court. State Historic Preservation Division
archaeologist and Kaua`i County Council candidate Nancy McMahon testified
that the dozens of previously identified burials do not constitute a
cemetery, but should be thought of instead as individual grave sites—a
distinction that is meaningless in the laws against the desecration of
burial sites. An archaeologist hired by Brescia, Mike Dega, told the court
that he would not define the site as a cemetery because for "pre-contact"
burials, he has no standards by which he can say a burial ground is a
cemetery. In other words, in his view there is no such thing as a
"pre-contact" (by which he means pre-European or pre-Christian) Native
Hawaiian "cemetery." According to the Merriam-Webster dictionary, a
cemetery is defined simply as "a burial ground"; within this standard
definition there are no additional historical or cultural qualifications
that need to be met. Dega’s assessments and the court's acceptance of them
shamelessly evade the entire moral and ethical purpose of the legislation
enacted to protect gravesites by playing a deceptive game of words. Let us
be clear: a burial is a cemetery and a cemetery is a burial. No matter
how they describe the grave sites, they cannot erase the existence of the
burials; they cannot turn these graves into a "non-cemetery," and they
cannot erase the reality of the ongoing desecration caused by this
construction.

Adding further insult to his desecration of Hawaiian graves, Brescia
recently lodged a lawsuit against six people—all of whom are Kanaka
Maoli—implicated in protecting the burial site from his construction work.
He has charged them with trespassing, unspecified damages, and even
"terroristic acts." Brescia subsequently filed a motion to identify nearly
a dozen more "Doe defendants" and add them to his original lawsuit in an
attempt to include cultural and religious practitioners from neighbor
islands that came to bear witness to and defend against the crimes at
Naue. We strongly condemn this Orwellian view of who should be defined as
trespassing and causing damage.

We call out to all people of conscience to join in our condemnation of the
desecration of the ancestral remains; to support an end to the illegal
construction supported by the state, and to protest any prosecution of
those who have laid their bodies down to prevent the further degradation
of the bones of our kūpuna.

Signed,

Hokulani Aikau, Ph.D., Assistant Professor, Political Science, University
of Hawai`i at Mānoa

Carlos Andrade, Ph.D. Assistant Professor, Kamakakūokalani Center for
Hawaiian Studies, University of Hawai`i at Mānoa

J. Leilani Basham, Ph.D., Assistant Professor, Humanities, University of
Hawai`i at West O`ahu

Maenette Benham, Ed.D., Dean, Hawai`inuiakea School of Hawaiian Knowledge,
University of Hawai`i at Mānoa

J. Noelani Goodyear- Ka`ōpua, Ph.D., Assistant Professor, Political
Science, University of Hawai`i at Mānoa

Lisa Kahaleole Hall, Ph.D., Assistant Professor of Women’s Studies, Wells
College

Kū Kahakalau, Ph.D., founder and director of Kanu o ka ‘Āina New Century
Public Charter School

Lilikalā Kame`eleihiwa, Ph.D., Professor, Kamakakūokalani Center for
Hawaiian Studies, University of Hawai`i at Mānoa

Val Kalei Kanuha, Ph.D., M.S.W., Associate Professor of Sociology
University of Hawai`i at Mānoa

J. Kēhaulani Kauanui, Ph.D., Associate Professor, Anthropology and
American Studies, Wesleyan University

Manulani Meyer, Ed.D., Associate Professor, Education, University of
Hawai`i at Hilo

Jon Kamakawiwo`ole Osorio, Ph.D., Associate Professor, Kamakakūokalani
Center for Hawaiian Studies, University of Hawai`i at Mānoa

Noenoe K. Silva, Ph.D., Associate Professor, Political Science, University
of Hawai`i at Mānoa

Ty Kawika Tengan, Ph.D., Associate Professor, Anthropology and Ethnic
Studies, University of Hawai`i at Mānoa

Haunani-Kay Trask,Ph.D. Professor, Kamakakūokalani Center for Hawaiian
Studies, University of Hawai`i at Mānoa

Erin K. Wright, Ph.D., Director of Native Hawaiian Student Services
Hawai'inuiākea School of Hawaiian Knowledge


-pau-

Monday, September 22, 2008

YES!

Oh My GAWD. I just about had an orgasm when I found this in my blog reader. Sweet Jesus. Amen. Holy Spirit. Etc.

Only thing that could have made this collection look better than it already does is if some astute researcher came upon more of Octavia Butler's unpublished works and added a few to the mix. I just finished Bloodchild and Other Stories (2005) and my heart is still pounding. The woman was genius incarnate. Her stories are timeless.

If for nothing else but in her honor, indulge yourself in some delicious, fantastic, fabulous and (damn right) woman-centered Afrofuturism. To be released December 2008.


Wednesday, September 17, 2008

Please Read and Respond!

Dear Ella's Daughters and friends,

I'm enlisting your support to reach out to Martina Correia, a sister in the struggle, who is fighting to save her brother's life. Troy Davis, who is likely an innocent man on Georgia's death row, is scheduled to be executed in less than six days on September 23. Despite her own personal battle with breast cancer, Martina has been fighting tirelessly, fiercely and relentlessly for justice.

I received this message from Martina the other day:

"I want everyone to know that we are still fighting for Troy, you have not heard from me in two days because I have been trying to answer so many calls and get rest in between. I went to see Troy yesterday and he is in good spirits, prayerful and saying we can never give up they can take my physical form but nothing else. But this is not the time to think he will be executed we have to fight them and we have to fight hard."

I'm asking you to e-mail me statements of support -- they can be brief, a few words of encouragement, a quick note -- that I will collect and send to Martina along with a beautiful bouquet of flowers from Ella's Daughters as an expression of our love and solidarity (another great idea by our very own Barbara Ransby to send sisters in the struggle flowers from Ella's Daughters -- this could be a new tradition!)

Please send me your statements of support by Friday. I know this is a quick turn around, but unfortunately, we don't have much time. And please, please see the links below to learn more about the case and what you can do to try to stop this execution. One easy thing is to text the parole board from your cell phone. Go to send message, type the name TROY, then send to 90999.

in struggle,
Alice Kim
alicekim11@gmail.com



Georgians for Alternatives to the Death Penalty website -- for updates and actions you can take
http://www.gfadp.org/TakingAction/TroyDavis/tabid/68/Default.aspx

Troy Davis to Die Next Week: Will Georgia Execute an Innocent Man?
http://www.alternet.org/rights/99017/troy_davis_to_die_next_week:_will_georgia_execute_an_innocent_man_/

Martina Correia on Democracy Now! (on 9/12/08)
http://www.democracynow.org/2008/9/12/attorneys_for_death_row_prisoner_troy

Activist in Action: Martina Correia
http://www.amnestyusa.org/National_Weekend_of_Faith_in_Action/Activist_in_Action_Martina_Correia/page.do?id=1104341&n1=3&n2=28&n3=81

Interview with Martina Correia: The Fight for My Brother Troy
http://www.nodeathpenalty.org/content/new_abolitionist.php?issue_id=7&story_id=75

Wednesday, September 10, 2008

Aunt Chloe: A Journal of Artful Candor

Aunt Chloe: A Journal of Artful Candor

Aunt Chloe is a journal for people who have reclaimed the spaces denied them by cultural and historical tyranny. She belongs to any of us who have been pushed out of the spotlight, yet through art, literature, and dialogue have re-chosen where we belong.

Submission Guidelines
Aunt Chloe welcomes submissions for its 2009 issue. We accept poetry, fiction, nonfiction (essays, articles, reviews, memoir), interviews and conversations, and visual art. We like work that tackles issues of the political, personal, mundane and earth-shattering in artful and candid ways, with the intent of illuminating the overlooked and the disregarded.

Our reading period is September 15-February 1. All submissions must be received by the deadline.

Poetry: 3-5 poems
Fiction: max. 2000 words
Essays, Articles, Reviews: max. 1000 words
Personal essay/memoir: max. 1500 words
Interview/conversation: Before embarking on any type of interview or conversation, please query.
Art: Please give us details about the format of the artwork before sending it.

For submissions by mail, you should include a brief cover letter with your name, mailing address, email address, phone number and the titles of works submitted, as well as an SASE and a brief biographical note.

All submissions should be addressed to:

Aunt Chloe
Spelman College
350 Spelman Lane, SW
Campus Box 323
Atlanta, GA 30314

You will be notified by email upon receipt of your submission.

For email submissions, include the same personal information indicated above in the body of the email. All files should be in Microsoft Word .doc format only. Submit multiple poems as one file. Give the file an appropriate title excluding your name, but including the genre (e.g., “3 Love Poems”). The same applies for all other genres: file names should contain submission title and genre.

Send all submissions to auntchloe@gmail.com

Simultaneous submissions are fine, but we must be notified immediately upon acceptance elsewhere.

Please expect a decision within five months.

Payment for publication is in the form of two copies per contributor. Authors retain all rights to their work.

Any questions can be directed to auntchloe@gmail.com