Thursday, October 29, 2009

Just What I Needed

love this! Thanks Nikita!

 
 

Sent to you by moya via Google Reader:

 
 

via Diary by Nikita Gale on 10/24/09

Thanks to aphotoeditor, I found this amazing article on Cheryl Jacobs Nicolai's new photography blog.  I'm sharing some of the points that I found especially useful:

- Style is a voice, not a prop or an action. If you can buy it, borrow it, download it, or steal it, it is not a style. Don't look outward for your style; look inward.

- Never apologize for your own sense of beauty. Nobody can tell you what you should love. Do what you do brazenly and unapologetically. You cannot build your sense of aesthetics on a concensus.

- Say no. Say it often. It may be difficult, but you owe it to yourself and your clients. Turn down jobs that don't fit you, say no to overbooking yourself. You are no good to anyone when you're stressed and anxious.

- Learn to say "I'm a photographer" out loud with a straight face. If you can't say it and believe it, you can't expect anyone else to, either.

- Know your style before you hang out your shingle. If you don't, your clients will dictate your style to you. That makes you nothing more than a picture taker. Changing your style later will force you to start all over again, and that's tough.

- It's easier to focus on buying that next piece of equipment than it is to accept that you should be able to create great work with what you've got. Buying stuff is a convenient and expensive distraction. You need a decent camera, a decent lens, and a light meter. Until you can use those tools consistently and masterfully, don't spend another dime. Spend money on equipment ONLY when you've outgrown your current equipment and you're being limited by it. There are no magic bullets.

- Learn that people photography is about people, not about photography. Great portraits are a side effect of a strong human connection.

- Never forget why you started taking pictures in the first place. Excellent technique is a great tool, but a terrible end product. The best thing your technique can do is not call attention to itself. Never let your technique upstage your subject.

- Never compare your journey with someone else's. It's a marathon with no finish line. Someone else may start out faster than you, may seem to progress more quickly than you, but every runner has his own pace. Your journey is your journey, not a competition. You will never "arrive". No one ever does.

- Embrace frustration. It pushes you to learn and grow, broadens your horizons, and lights a fire under you when your work has gone cold. Nothing is more dangerous to an artist than complacency.

 


 
 

Things you can do from here:

 
 

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